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Dollar Down

Dollar Down

1925-09-20 (100 ساڵ و 11 مانگ و 5 ڕۆژ لەمەوبەر دەرچووە) 7.0 1 بینەر 60 خولەک بۆ خێزان گونجاوە
دراما
Just before he propelled the crime melodrama to new, macabre heights in The Unholy Three, Browning directed this partially lost morality tale pertaining to a different kind of horror: that of a middle-class family living beyond their means and falling prey to moneylenders. Produced by and starring Ruth Roland for FBO Studios, a small operation that later became RKO Pictures, Dollar Down follows Roland as the spendthrift daughter of a manufacturing firm’s general manager (Henry Walthall), who pawns a ring purchased on credit to throw an extravagant party and sends the family’s livelihood into a tailspin. Because its last reel completely disintegrated before it could be copied, the film remains an ultra-rare curio that nonetheless captures an important chapter in Browning’s career before his successful string of films made for MGM.

دەرهێنەر

Tod Browning

باری بەرهەم

ئازاد کرا

تەنها تریلەر

لە دەرەوەی عێراق تەنها تریلەری فەرمی بەردەستە.

وڵاتی دۆزراوە: US

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بینین

1

دەسترسی

تەنها تریلەر

US

کۆمێنتەکان

گفتوگۆ

0 نیشان‌دراو

چوونەژوورەوە پێویستە

بچۆ ژوورەوە بۆ هەڵسەنگاندن، بەدڵبوون، پاشەکەوتکردن و کۆمێنتکردن.

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هاوشێوەکان

Oya9.com
Dollar Down

Dollar Down

بەرواری بڵاوبوونەوە: 20ی ئەیلوولی 1925
0.0 / 10
ژانەر: دراما
ئەکتەرە سەرەکییەکان:
Ruth Roland
Henry B. Walthall
Mayme Kelso

کورتە: Just before he propelled the crime melodrama to new, macabre heights in The Unholy Three, Browning directed this partially lost morality tale pertaining to a different kind of horror: that of a middle-class family living beyond their means and falling prey to moneylenders. Produced by and starring Ruth Roland for FBO Studios, a small operation that later became RKO Pictures, Dollar Down follows Roland as the spendthrift daughter of a manufacturing firm’s general manager (Henry Walthall), who pawns a ring purchased on credit to throw an extravagant party and sends the family’s livelihood into a tailspin. Because its last reel completely disintegrated before it could be copied, the film remains an ultra-rare curio that nonetheless captures an important chapter in Browning’s career before his successful string of films made for MGM.

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Ameer Xoshnaw